Applying the red to both titles and analysing

I have produced another mock up document on Photoshop this one is replicating a Frame in an opening title sequence. Although, there isn’t the convention of imagery it is to see whether the font works well today and whether our prelocution of the font looking differed from the general trend of fonts in this industry. I have compelled myself to Photoshop for the reason that I feel that Photoshop offers a way of combining both fonts and looking at them tougher thus meaning I can justify if they work if question by a teacher or a future consumer watching the sequence.

I have followed the conventional approach of making the smaller titles smaller then the main fonts so the obvious of the names in the film will be larger thus capturing the attention of the consumer as the larger stars within the film will have their specific demographic thus meaning a larger audience a bigger box office success.

The success of doing this frame on Photoshop got me to see whether the fonts worked in which I personally feel that they do but, to keep internal peace within our group I do plan on feeding back this post and exploration to see whether I need to improve the current positioning of the font. In terms of the shadowing I do find it works well. Possibly, an idea could be to go and ask people if they can distinguish the actual wording as; I would generally know what it says as, I have been working on it.


Possible improvements that I could make to the work could be to look at placement on the frame I do need to start to ask Louise of the current positioning of imagery in the opening title sequence this way I can then go this frame should have a slightly smaller name etc.


The consistent background colour is black and I have kept with this consistent colour as, it has already been applied to all the Green tracking in which Louise has completed to a high standard. The significance of the background being black is that most of the filming is actually white thus meaning that the white shows up with more clarity and looks clean and precise; almost clinical- it also means that no other components in the frame are of a distraction.